Editorial

As a musicologist and music journalist, Minim's owner Caitlin Rowley has a great care for words and for writing about the arts in particular.

She has extensive experience as a proof-reader, sub-editor and editor, and has also produced concert reviews, articles on Australian composers and an expert-witness musicological report for the Australasian Performing Right Association (APRA).

Sample publications - writing

Articles

• Composer's search for leisure and silence (on Peggy Glanville-Hicks)
• Composers without borders (on the influence of popular music on young Australian composers)
• Down the rabbit-hole: Martin Wesley-Smith, David Del Tredici and the influence of Lewis Carroll.

Reviews

• Darlington School: A night of new music (Bravo!)
• SSO Messiaen concert (Bravo!)
• Sibelius & Finale software reviews (Sounds Australian).

Musicological papers, reports and own research

• Erik Satie's Crystal Ball (research on Erik Satie, including a paper which was presented by invitation at the 1995 Graduate Music Symposium of the Musicological Society of Australia).

Sample publications - Editing, sub-editing, proofreading

• Australia: Exploring the musical landscape (editor), published by Australian Music Centre and DFAT, the Australian Government's Department of Foreign Affairs and Trade
• Index to Sounds Australian Journal (co-compiler with Kim Denning), published by Australian Music Centre
• The Composer Speaks III: Proceedings of the 1992 New Music Australia conference, edited by Sally Macarthur (proofreader and copy editor).

Further sample publications are listed in Caitlin Rowley's curriculum vitae.

For more information or to request a quote, please email us.